• Whole lecture theatre = 152 seats
• For audience = 139 seats (back couple rows are taken up by tech)

Some shows may have fewer available seats e.g. if speakers are being set up at the back of the room or if the front row cannot be used so the audience is not too close to pyro.

Exact stage dimensions depend on the positions of the bars

• Stage width (side bar to side bar) ≈ 8m
• Back to front tab ≈ 2.5m (any set that goes past the front tab line must be packed away each night)
• Back tab to front desks ≈ 5.2m
  

• Lite Deck = 4ft by 8ft
• StageSoc Deck = 1m by 2m
• Deck legs 1,2,3,4, or 5 ft

6 pieces of Lite deck 6 pieces of stagesoc deck

Dimensions

• Big flats = 4m x 1.75m
• Small flats = 4 ft × 8 ft

There is some variation between each flat

We also have some other kinds of flats of different sizes (deserving of a separate wiki page!)

Numbers
(Double check these!)

• Big flats
  • 11 regular (different thicknesses)
  • 2 door flat + 1 door flat for slightly smaller doors
• Small flats
  • 9 regular
  • 2 door flats

- check number of each type of flat (and no. of door flats)

Both sides (SL and SR) of the front and back tab are the same size. They have metal clips.
Attach every other clip to the black tab runners. There may still be more clips than runners

To close the tab:

Front tab (for both SL and SR):

• 3 black tab runners behind the side bar, plus the fixed end one (4 total clips on this side)
• 5 runners along the track over the stage, plus the master runner (this is pulled by the rope) = 6 clips

Back tab

• 3 clips behind the bar either side

- check these numbers and find the numbers for open tab during a show

Lighting bars:

• LX1 = 12
• LX2 = 12
• LX3 = 16
• Booms = 3 on each
• Floor = 3 both SL and SR
• Total = 52

Sockets

• Big = 12 using lighting power, 24 if also using sound power
• Small = 11 currently working (out of 12)

DMX addresses

• Big = 201 to 224
• Small = 225 to 236

• Fresnel = 20
• PC = 8
• Flood = 12
• Par = 18
• Source 4 Jr. = 16
• LED pars = 9 ECO LED PAR56, 4 LEDJ PAR CAN 56

24 input patch lines (8 SL, 16 SR) 8? output tie lines

• 32 input channels
• 8 aux inputs
• 16 mix buses
• 4 stereo FX buses
• 8 FX rack slots
• 6 Matrix outputs
• 8 DCAs
• 4 Mute Groups

• 16 inputs
• 8 outputs

6x Behringer ULTRA-DI boxes

Dynamics:

• 4x Shure SM58
• 4x Shure Beta 57A

Condensers:

• 4x AKG C1000s
• 4x Behringer C2

2x boundary mics

• 2x t-Bone active monitors “the box MA100”
• 4x Yamaha passive monitors
• Installed PA
• Sub (on loan from Jamie, not owned by StageSoc)